The point is the 'me' that you see before you is not the 'me' in my private little space, shape-shifting into the writing role, nor is it the 'me' that works with the actors. Here, at the end of the film doing interviews, I feel like I'm in disguise.

The concentration of the elite athlete is akin perhaps to the concentration of the writer.

I think every single person perceives things differently. We are all singular.

There is a difference between a voyeur and a tender witness. Maybe I think the audience is more of a tender witness than a voyeur, which has a shady undertone.

I loved 'Dirty Sexy Money.' That didn't have a long enough shelf life. I would've liked to explore that character and play with that cast longer. That was a lot of fun to shoot.

I never tried to make money - just enough to be able to eat.

We weren't making money in the Yardbirds.

There is a soak-the-rich attitude in the air, a feeling that if you have a lot of money you must have got it by some ghastly means. I can quite happily say there was never any family money. All the money we got was mine, just from writing books.