I don't know how well I work in traditions. I don't know if it's just the way I listened to music growing up and never having my foot in one particular world, and just wanting to do my own thing.

I don't use the harpsichord because it evokes a past time period: I use it because I like the sound.

Tragedy' and 'Loud City Song' are both inspired by stories from the past.

I try to ignore people's opinions about my music - you don't want to hold yourself back because of that stuff.

With excessive digitisation, now, everyone is making films, which is good, but the makers think that they will quickly make films in digital and bag satellite rights but television channels buy satellite rights of notable films only. If we made fewer films a year, percentage of hits would be better.

Entire books are being written about the distractions of social media. I don't believe media compel distraction, but I think it's clear that they afford it.

You really never know where your path will lead you, but working with technology was truly the best way I could make a difference.

Blockchain technology has such a wide range of transformational use cases, from recreating the plumbing of Wall Street to creating financial sovereignty in the farthest regions of the world.