Say you're an American novelist, published by the largest publishing house in the world. Their goal is to make as much money from you as possible, to have as many people read your book in as many formats as possible. How can you hope to speak intimately to the numbers of people that represent the book sales required?

Each and every novel is a world outside the world - for a reader to visit, for comfort, consolation, escape, or challenge.

I've never been able to shake the idea of family, which is to say I've never been able to shake my family. Being membered - being one limb of an immense grosser body - that's always been a fact to me.

All of business and all of politics is essentially fiction to those who live them. I have more experience with fiction than most senators because I do it all day, so their world didn't seem that foreign to me.

We need to start training more primary health providers and fewer specialists. We will never be able to control health care costs unless we challenge the over-emphasis on medical research, specialists and technology and put more emphasis on delivering good, everyday basic medicine to those who now have none.

I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.

I'm not here to put my music out on the Internet with no support and then say I got creative freedom. I've got creative freedom wherever I go: I don't create anything that I don't want to create. That's freedom. Since when does a company force you to make something that you don't want to make? If they do that, you leave.

When I had dial-up, my mom got me a phone so I wouldn't tie up the phone. She used to really pick up the phone, push some buttons, and hang it up so the connection could mess up. Now, it's a joke with her, like, 'Look, the Internet's 24/7. I have WiFi now.'