In those projects with Sting and Josh Groban and people like that, I see a very interesting effect: their fans coming to my classical concerts, people who've never been to a classical show at all.

When you start reading a piece together, you get a sense of someone's basic philosophy of music without saying a word. You realize the other person's approach, how they express themselves, the kind of restraint they show, all those things.

Music is a continual learning process. One finds new insights all the time. For me, it began at a very early age; from the beginning, there was something besides the notes.

When I hear people clapping at the wrong times, I think that's great. We have got a listener that's not used to going to - we have got a new listener.

You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.

The world belongs to the wealthy, and nowhere is this injustice more apparent than in the workplace.

I developed more as an actor in the course of 'Lost' than I had in any period in my career before because they trusted me and allowed me to use the tools that I finally brought out. And quite honestly, it's only been since 'Lost' that I've had any sort of financial stability.

Throughout my career I have developed a thick skin against verbal abuse, justifying it as just 'part of the game' but the time has come for Twitter, Instagram and Facebook to consider regulating their channels, taking responsibility for protecting the mental health of users regardless of age, race, sex or income.