In those projects with Sting and Josh Groban and people like that, I see a very interesting effect: their fans coming to my classical concerts, people who've never been to a classical show at all.

When you start reading a piece together, you get a sense of someone's basic philosophy of music without saying a word. You realize the other person's approach, how they express themselves, the kind of restraint they show, all those things.

Music is a continual learning process. One finds new insights all the time. For me, it began at a very early age; from the beginning, there was something besides the notes.

When I hear people clapping at the wrong times, I think that's great. We have got a listener that's not used to going to - we have got a new listener.

I think a lot of times our culture has an attitude toward art and the production of art that separates artists from the rest of us, like making art or music or painting or whatever is some magical thing that you have to be inspired to do, and special people do it.

I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.

I have always loved magic realism as a form of writing. I have also been fascinated for a long time with the intersection of science and religion.

For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas.