That's the philosophy that we have always had. Going and playing in front of people and leaving an impressive from that standpoint.

One day I said to my dad, 'Are you disappointed that I'm working a minimum-wage job and I didn't go to college?' I'll never forget his response. He said, 'It's not about how much money you make or what your job is, but it's more about your character. For that, I'm proud of you.'

It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'

It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.

War is no picnic. Wars should be prevented, and if you can't prevent them, you have to put them off.

I came here as a practical man, to talk, not simply on the question of peace and war, but to treat another question which is of hardly less importance - the enormous and burdensome standing armaments which it is the practice of modern Governments to sustain in time of peace.

Let us all pledge to protect this opportunity in order to see that the wish of peace becomes a true and daily fact in this region.

Let us not forget that the European Community started as a project for peace after the terrible Second World War. And today people take for granted the freedom to travel, to study, to work abroad. And the citizens of one country have almost exactly the same rights as another country.