I'm obsessed with giving the audience something they don't see coming.

New York is about as cosmopolitan as it gets. It's a fairly mixed and woke town, so there weren't a lot of situations growing up where I felt like the outsider or the alien.

When I talk about movies like 'Rosemary's Baby' and 'Stepford Wives,' I really noticed that these movies were able to address fears surround the women's lib movement in a way that was engaging, not preachy, but fun.

It was definitely during the Obama administration that talking about racism, or calling it out, suddenly seemed taboo. It seemed like talking about race was somehow summoning the evil of racism.

My comedy is kind of a counteraction to some of the comedy I don't like. Or things I don't like.

People may think of Southern humor in terms of missing teeth and outhouse accidents, but the best of it is a rich vein running through the best of Southern literature.

I felt like onstage I have to have a certain amount of anonymity, like, personal anonymity, to feel loose and free. When you're up there with people who've known you for a decade, and you make a bad joke and you hear the cackling behind the drums, it's hard to get lost in the moment.

Comedy is really exciting to me.