As I got into middle school, I was really an outcast. But everybody was an outcast in middle school. I don't know who got the idea to put all kids going through puberty together in a school and give them academic elitism and competition and pit them against each other.

I hope that one day, the world gets to a place where you don't need to politicize your sexuality any more than someone needs to politicize their race - that we can just act and we can exist in this Zeitgeist, telling stories about one another.

I realized there's a difference between creating a character and sustaining a character. The challenge that comes with sustaining a character is that you have this sudden impulse to think about all the things the audience liked.

I was one of those kids who kept trying on different skins in high school. I was very afraid to be myself around all of these kids, to really reveal any part of myself that was true, so I would try on different skins, try on different masks, hoping I'd hit on one that was cool or quirky or interesting enough that suddenly I would be OK.

Oh, my family lived in 21 places before I was 17.

My family has been around campaigns for a long time. It's something you really have to be sure that you alone want to do. Because if not, if you don't want to do it, that will just blow through the surface at some point, and people can tell. And when people can tell, it's all over.

It was a huge move for me to leave Sweden, because I was really happy there. It was a club we thought we could carry on developing and try to win the league with. And my family were really settled.

I do feel I'm responsible to carrying on the music. That's what I was charged with as a kid. When I was a little girl, I was told, 'When we are gone' - when you're a kid, you never think they'll ever be gone - 'you have to keep the music alive, the Carter Family songs, and add your own songs.'