My greatest fear is feeling like a professional novelist. Somebody who creates characters, who sits down and has pieces of paper taped to the wall - what's going to happen in this scene, or this act. What I like is for it to be a much more scary, sloppy reflection of who I am.

I'm less worried about accomplishment - as younger people always can't help but be - and more concerned with spending my time well, spending time with my family, and reading, learning things.

I see bad stuff on the street all the time that I don't do anything about. I do bad stuff myself all the time. The goal is not to somehow be perfect - that's silly, that's naive. The goal is to just recognize there are choices in front of us, and to try to make better ones.

There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.

I really wanted to do something positive on the Internet. I wanted to try to get young people talking about, thinking about, life's big questions-make it cool and OK to wonder about the heart, the soul and free will and God and death and big topics like that, big human topics.

One who loves God sees everything in relation to God. Therefore, their love flows spontaneously toward everyone, at all times, everywhere. They even love those who wish them harm. If you love God, you can't hate anything or anyone. If the love one offers is met with hate, it doesn't die; rather, it manifests in the form.

Instead of waking up every day saying, 'Poor me,' how about you get up and thank God you can get up!

We have elected to put our money and faith in a mathematical framework that is free of politics and human error.