By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.

Interstate highways dull the reality of place and distance almost as effectively as jetliners do: I loathe their scary monotony.

It's been so long since a talented writer last occupied the White House; no wonder, then, that American writers have been among the most prominent of all the demographic groups claiming a piece of Barack Obama for themselves.

At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?

I think this happens to a lot of people, men and women, where you reach a point in your life and all of a sudden realize that things have changed. You suddenly realize that people are coming up behind you, that maybe somebody might want to replace you for less money.

What better way to prove that you understand a subject than to make money out of it?

Over the course of 20 years that I've been at NBC, I have never seen the amount of money I make reported correctly by the media.

With 'Women in Hollywood,' I didn't direct it, but I produced it, and what we did is followed the money of Hollywood and how that intersects with issues relating to women and, frankly, sexism.