It's one thing to experience your Broadway debut alone, but to share it with an entire company was like summer camp or a college experience, where you were really growing up together.

Coming out, for me, was slightly painful. It was a relief, but it was also painful.

As a kid growing up in Lancaster, Pennsylvania, all I wanted to do was be on Broadway in a musical. 'Spring Awakening' kind of answered all of my questions and fulfilled all of my dreams - beyond my wildest dreams.

The idea of faking empathy to take a step forward to understanding - it's a really powerful idea.

Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.

The tendency in comedy is to have a character who's stupid get more stupid, because you're trying to top yourself and not just repeat.

I started being a comedy fan when I was, I'm going to guess, like 5 or 6 years old.

Nobody who is a Penn & Teller fan thinks of us first and foremost as magicians, but as a comedy team.