If you look at the mythology of aliens, there's a lot about gold. It's about them coming for gold; whether that's a simplification or not. If you think of 'Chariot of the Gods,' there's this reoccurring theme of gold.

Ever since I read 'Kitchen Confidential,' I saw a little light bulb go off. Being a chef is like being on a pirate ship; it's not like 'Who Is Killing the Great Chefs of Europe?' or whatever my impression was as I was growing up.

When Ron Howard does 'Rush,' he has to learn and steep himself in F1 culture and European racing culture, and that's part of the fun of the gig. You learn to learn. Your real skill as a director is being a learner and an observer. You're constantly learning another thing in context.

I'm of a generation of director that came up understanding special effects.

You don't learn anything from success. You know, it's comfortable, it's nice, it's warm, but success just leaves you kind of feeling a little bloated.

Success consists of going from failure to failure without loss of enthusiasm.

To me, what success looks like is not to believe that Afghanistan can become a unified, Western-style democracy with a developed-country economy just yet. I think success in the American interest is some level of assurance that it's not going to be a place that again leads to an attack on the American homeland.

I always think, when there's stuff that people don't like, I always say that if I have another success, I'll enjoy it more, but you don't really.