If you look at the mythology of aliens, there's a lot about gold. It's about them coming for gold; whether that's a simplification or not. If you think of 'Chariot of the Gods,' there's this reoccurring theme of gold.

Ever since I read 'Kitchen Confidential,' I saw a little light bulb go off. Being a chef is like being on a pirate ship; it's not like 'Who Is Killing the Great Chefs of Europe?' or whatever my impression was as I was growing up.

When Ron Howard does 'Rush,' he has to learn and steep himself in F1 culture and European racing culture, and that's part of the fun of the gig. You learn to learn. Your real skill as a director is being a learner and an observer. You're constantly learning another thing in context.

I'm of a generation of director that came up understanding special effects.

Chicago kept industry, attracted new business, became the center for convention trade and transportation.

The first thing, when I got the money, I knew I would support somebody. And the person I supported was my family. Because we were really in debt with the money. And - so I gave to my father this suitcase full of money. And he couldn't believe it. And that was something very special.

I wanted to have a go at a pop career. My first single, 'Baby I Don't Care', was a hit, and the second, 'Bye Bye Boy', reached the Top 20.

I am always exhausted; I am always trying to find more time to be with my family, which is why they travel with me so much.