If you look at the mythology of aliens, there's a lot about gold. It's about them coming for gold; whether that's a simplification or not. If you think of 'Chariot of the Gods,' there's this reoccurring theme of gold.

Ever since I read 'Kitchen Confidential,' I saw a little light bulb go off. Being a chef is like being on a pirate ship; it's not like 'Who Is Killing the Great Chefs of Europe?' or whatever my impression was as I was growing up.

When Ron Howard does 'Rush,' he has to learn and steep himself in F1 culture and European racing culture, and that's part of the fun of the gig. You learn to learn. Your real skill as a director is being a learner and an observer. You're constantly learning another thing in context.

I'm of a generation of director that came up understanding special effects.

My dream has always been to inspire young girls to see their own power and follow big dreams and realize that they have potential.

You got to have a lot of courage. Secondly, whatever it is you're doing, you have to believe in it wholeheartedly. Thirdly, you have to be able to stand up in front of people and know that they'll laugh.

Think about how many dreams die with people - if you don't believe in yourself, whatever you're doing is for no reason.

Luther' is absolutely a monster-of-the-week show. Although it's post-watershed and is rendered in intense graphic novel-style images, it's inspiration is not that different from 'Doctor Who' as in both cases you've got a trickster figure who fights the monster of the week and is eventually successful.