I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.

When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'ideal' performance. Things that felt great in previews can feel forced three months in; jokes that got big laughs in the rehearsal room may suddenly fall flat in front of a paying audience.

Live theater is an amorphous art, constantly shifting and evolving with every performance.

I was on Twitter right in the first couple months that it was out.

Intrigue: Murder In The Lucky Holiday Hotel' is a podcast put together by the BBC's Carrie Gracie that investigates the story behind the death of British businessman Neil Heywood in the Chinese city of Chongqing in 2011.

Grief is like a moving river, so that's what I mean by it's always changing. It's a strange thing to say because I'm at heart an optimistic person, but I would say in some ways it just gets worse. It's just that the more time that passes, the more you miss someone.

Whoever lives among many evils just as I, how can dying not be a source of gain?

Just like every person who works for Dortmund is a fan of the club, it was the same at Mainz. When I was a player there, we had 800 supporters on rainy Saturday afternoons, and if we died, no one would notice or come to our funeral. But we loved the club, and we have this same feeling at Dortmund.