A lot of journalists are talented enough to write a mystery novel, and I would say that most of the top-end mystery writers actually started out as reporters. But there is more to it than just the writing; there's a learning process, and most journalists aren't willing to do it.

With most of my books, I'll actually go out and look at the setting. If you describe things carefully, it kind of makes the scene pop.

When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'

People in California don't live in a place so much as they do a condition.

When I was a little child, my parents taught me by example to pray. I began with a picture in my mind of Heavenly Father being far away. As I have matured, my experience with prayer has changed. The picture in my mind has become one of a Heavenly Father who is close by, who is bathed in a bright light, and who knows me perfectly.

My ideal relationship with the reader is that at certain points they will have said, 'I'm finding this quite tough, but I'm going to hang in there,' then at the end they will say, 'Oh God, I'm glad I hung on, it was so worth it.'

I stepped out on faith to follow my lifelong dream of being an author. I made real sacrifices and took big risks. But living, it seems to me, is largely about risk.

I swear to God I was freaked out about the Aswang when I was a kid in the Philippines.