Money is like poetry because both involve learning to communicate in a compressed language that packs a lot of meaning and consequence into the minimum semantic space.

To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.

Often, in horror films, the single most effective device for building a sense of scariness is the soundtrack: the clanking of chains, the groaning of off-stage ghouls, the unmistakable sound of a cannibal rustic firing up a chainsaw.

I think the Internet was invented specifically to stop people finishing their books. And it does quite a good job. I don't have blocking software, though I could easily imagine needing it. I just don't do that stuff until I've got the words done for the day.

I think the guys who are sort of infantry in Somali piracy are not unlike low-level drug dealers in urban areas in America, who see it as, you know, not having many other options. I think it comes down to money and needing to survive.

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film.

If the machinery for distribution in the present economic system of the world is incapable of properly distributing the productive wealth of nations, then that system is false and must be altered.

I have a massive guilt thing about money.