My career as a magazine writer was largely prefaced on the idea of curiosity, to go on adventures and weasel my way into the lives of people that I admire.

What would I put in a museum? Probably a museum! That's an amusing relic of our past.

Comics have a problem, and that is continuity - the obsession with placing the characters in an existing world, where every event is marked in canon. You're supposed to believe that these weepy star boys of now are the same gung-ho super teens fighting space monsters in the '60s, and they've only aged perhaps five years.

It would be rather naive to imagine that Oprah doesn't have an Earth Evacuation Plan. You know Richard Branson does - his is in plain sight.

You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.

I've done some really weird gigs. The ones where no one turned up - they're probably not the interesting ones to talk about. I played some pretty random ones in L.A. I signed to play all-R&B nights or an all-comedy night where I'd be the only white person there. They were fun.

I love comedy, and I love listening to comedians talk.

Comedy often comes at the expense of others, and to do that smartly, you don't want to make fun of vulnerable people. You want to make fun of people in power, and so you need to really understand the dynamics of power.