For me, riding a two-wheeler bike was very risky. Counting the pedal strokes before turning a corner and learning to hear the sounds coming from buildings, grass and the climbing frame made all the difference to basic survival and ensured that I didn't end up head-first in the sandpit.

Passione' is a selection of the music moments that have accompanied my youth; a collection of cherished memories, of moments, of fleeting emotions, of sleepless nights.

A career is like a house: it's made of many bricks, and each brick has the same value, because without any one of them, the house would collapse.

In essence, I set myself the objective of doing what I feel is right without having any ambition.

If we don't give the authors of music, film, literature, and journalism a way to control the distribution of their goods, the quality of all of these creative efforts will decline.

I decided at 40 I was wasting entire chunks of my brain and didn't want to blow my one chance on Earth. I'm glad I made that decision. Writing is largely about time, while visual art is largely about space. Sometimes, as with film, you can hybridize, but I think it's basically the space part of my brain wanting equal footing with the time part.

I'm a big believer in creating parameters for creativity. I think parameters make people more creative. So that starts with my budgets. I only do low budget movies, and I think that makes the movies better.

Extending our lives, extending our creativity, opening up the mysteries of the brain. All those things that are really exciting - that's kind of the basis of 'Neon Future,' and that's why I interviewed Ray Kurzweil and Aubrey de Grey.