I relate with military families and Gold Star families. Gold Star families are families where somebody didn't come home. My father died in 1949. He was a flight instructor in the Army Air Corp.

I have some fond memories - a couple of the nights on the town ... a couple of songs I wrote when I was messed up that I'm sure wouldn't have come out of me unless I was messed up. It's kind of happy-sad about those days - I could do anything I wanted to. I did. And now I don't want to do any of that.

I enjoy my solo career because I get to play smaller places like clubs and theaters, and the interaction with the audience is much higher quality. It also sounds better than a baseball stadium. Everybody has a good seat, and I don't have to play a specific part like I do in the Eagles.

L.A. is kind of flat these days; I guess Austin and other places are like that now. But that's what I wanted to get across: You could be as crazy as you wanted, and that was OK. You didn't have to be good; people would still come and hear you.

One of the things you learn in government is there's a long tail to American decision-making when it comes to foreign policy. Moving the embassy to Jerusalem, pulling out of the Iran deal, pulling out of Paris, not speaking up for democratic values - the world doesn't end the next day.

I actually don't want to be an actor for the rest of my life. I'd like to go on to be a lawyer or a doctor, and I definitely would like to get into politics.

When I was young, there was only one TV channel, sponsored by the government, and it only broadcast things like what the leader had for breakfast. There was no real media.

Why consider debates in the English House of Commons in 1628 along with documents on American developments in the late eighteenth century? The juxtaposition is not capricious, because the Commons during this period generated many of the ideas that were later embodied in the government of the United States.