I've done a lot of movies that don't have any music in them, and I've always sort of had a kind of wary attitude about music because it can be so manipulative, and also because with pop music, I feel like everybody kind of has their own relationship to songs.

In the pre-production process, I am emailing with the actors or jumping on the phone, and we're sort of figuring out who the characters are and trying to build the relationship dynamic and things like that. Then, also, I am outlining.

My friends have said, 'Wait, you're pretty, and you sing? What do you mean you're interested in science?' I have to just hold my head and go, 'Do you hear yourself?' By no means should you ever limit yourself because of what others think or because of their perceptions of what someone looks like in a certain field.

When I was fifteen, my father gave me a first edition copy of Ray Bradbury's magnificent work, 'The Martian Chronicles.' I had read other science fiction by noted authors, but this book was something else altogether.

I was standing on the shoulders of other science fiction writers like William Gibson, who had written 'Neuromancer' on a typewriter before home computers even really existed, and Neal Stephenson who wrote 'Snow Crash' in the early '90s and imagined an online virtual world before the birth of the modern Internet.

The No Child Left Behind Program was an incentive to the schools to get their kids up to snuff on math and science and reading.