He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that.

I drew a picture on the back of a calendar in pencil. In those days they used to give out free calendars, I had no art paper, so I took whatever else I could.

Before I ever put anything on paper, Jerry and I would talk back and forth.

Jerry often says that Slam Bradley was really the forerunner of Superman, because we turned it out with no restrictions, complete freedom to do what we wanted; the only problem was that we had a deadline.

I'd chosen to dedicate my life to writing, and I asked myself, 'if you write your whole life, and nobody ever sees a word, is it as a writer that you die?'

I think, in any profession, what you fear most is not being able to perform, about not being able to meet new challenges. The fear of non-acceptance, particularly if in creative art. What happens if the audiences do not like you anymore!

I love roles that don't really have a template or a paradigm and force me to create using my own imagination... that really, really turns me on.

When I'm writing instrumental music, I try to find musical and non-musical inspirations.