Everybody reads for me. I was never weird about that. I never minded coming in and reading. They should know if I'm the right person, and I should know if I want to do a movie.

Knowing what paint a painter uses or having an understanding of where he was in the history of where he came from doesn't hurt your appreciation of the painting.

My earliest memories are doing commercials and TV.

I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.

I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.

I think Pixar's done an amazing job integrating art and science. They really get this idea that art and engineering work side by side.

Over the years, I've learned that a sense of humor is the only skill that allows you to turn sucking at life into a career.

There's a high point in your career, and then people get bored; they want something else to come along.