The message is pretty clear: Americans are sick and tired of the doubletalk coming out of Washington, of us going home and saying we're conservative and then coming up here and voting for 10,000 earmarks. We can't fool America anymore; the media is too good. They're reporting what we're really doing.

We know from our own history that democratic institutions take decades to mature, and we know from past conflicts that freedom is not free.

You've got the Democratic Party that now depends on more government spending and actual building the dependence on government in order to increase their political party.

I'm a conservative first, and I believe that, if we do a better job of helping Americans understand what we're trying to do, to showcase every place in the country that our ideas are working at the state level, that that will help those at the federal level who want to carry those policies.

I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'

Good diet and exercise are key, but abject fear has its own rewards. And arriving on the first day for rehearsals for 'Spamalot' and seeing all these much younger, much fitter people, who I was going to be on stage with, became a catalyst for cutting out the more unhealthy aspects of my life.

I think the few writers who influenced me most in writing short stories are Alice Munro and Grace Paley. They're very different, and I can't do what they do, but reading them gives me hope that I'll learn something from them.

My dad remembers being in school with my uncle, and the teacher would say outright to the class that the Japanese were second-class citizens and shouldn't be trusted.