When the pastor's up there, they do this thing called looping. They are literally riffing and spitting in the key of the organ. When looping, you're in key, you're in a rhythm, you're in a pocket, and that's where James Brown was pulling from, and so that's where I'm pulling from. The only difference is I'm coming at it under hip-hop.

Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.

Life got very good - we went from living in a one-bedroom apartment to a five-bedroom mansion by the time I was in high school. I had everything I wanted growing up, though all I wanted was music stuff - drums, a PC, turntables.

If you grow up playing in church, it removes a lot of the boundaries that other musicians might have, growing up with sheet music or whatever.

Before I did any television or film, I did years and years of theater. Television and film stuff, even though it went on for a good, healthy number of years, almost felt like a diversion from theater.

I am a creative person. I like painting, singing, dancing, etc.

If you're trying to learn how to act from a class, you're analyzing the teachers' movements and their intricacies, and it becomes like a pantomime of you wanting to be them, and that's wrong. Literature is an easier way to study acting, because then you can take any kind of spin. It's your own imagination, and your own version of it.

Sometimes a technology is so awe-inspiring that the imagination runs away with it - often far, far away from reality. Robots are like that. A lot of big and ultimately unfulfilled promises were made in robotics early on, based on preliminary successes.