From the time I was growing up, if I felt that there was some, like, pot of gold waiting for me, I don't know that I would have been so motivated.

Not to sound too Dr. Phil all of a sudden, but I think the key to survival is to embrace one's past and to not run away from it. And to come to some sort of relationship with it or understanding of it.

I still feel like I'm learning a lot and have a lot to learn and improve on.

I am sort of drawn toward places in the world where there is struggle and conflict.

You can win, it'll just cost you some money.

I did 75 films. I didn't take a break; I didn't spend my money. I have my savings, so when you're not working for money anymore, then you should find things that are meaningful and not just be like, 'OK, that's another day gone.'

Those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences - they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.

I went to all the shops in the village looking for work. I didn't have any qualifications. I ended up working in a grocery shop for about a year and then went to a confectioner, where I earned three pounds 10 shillings. I gave the money to my mother and father, but I also managed to save five shillings a week.