Ders' is something I've been called since I was six by neighbors and stuff growing up.

I'm not a highly outgoing person. I'm pretty guarded when you first meet me. But being in a Speedo for my entire life growing up, because I was a swimmer, and being naked in front of people now, doesn't really bother me.

Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire.' That's a chill song with kind of a military drum thing going on, like a drummer boy.

I think I saw 'Rushmore' my senior year in high school. You know, Wes Anderson and Owen Wilson, there's such a voice to those movies. It's not like 'Die Hard' where it's like, 'Oh, this is an adventure. It just happened.' It's like you can hear the voice. I was like, 'Oh, I want to do that.'

We can't leave everything to the free market. In fact, climate change is, I would argue, the greatest single free-market failure. This is what happens when you don't regulate corporations and you allow them to treat the atmosphere as an open sewer.

At Roden Crater, I was interested in taking the cultural artifice of art out into the natural surround. I wanted the work to be enfolded in nature in such a way that light from the sun, moon and stars empowered the spaces. I wanted to bring culture to the natural surround as if one was designing a garden.

Climate change carries implications that stretch far beyond extreme weather, however. The effects on public health are far more alarming - and those have to be taken into account in order to calculate an accurate estimate of the costs of inaction.

We are a family that lives probably 90 percent on wild game. We're certainly working our way toward 100 percent self-sufficient. Looking to raise chickens for eggs, things of that nature, start a garden. We enjoy the simple life.