I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.

One of the things that is so striking to me about the South, especially living here now as an adult, is that I see a lot more mixed-race couples than I saw when I was growing up in the 1980s and the 1990s. I feel like living across the color lines has become something that's more expected.

The UnAmericans' is a compassionate and brilliantly rendered debut - and for a book set largely in the past, these stories feel essential to understanding the contemporary world in which we live.

I'm always thinking about time. That's one of themes I return to in my work, the way the past bears on the present, the way that time is not linear, and how that expresses itself in people's everyday lives.

In my view, relationship movies never get old because humanity will never not be confounded by their relationships.

Smaller groups of people can establish trusting relationships.

People - not just in their teenage years - hold on to this fantasy of love when they're not ready to have a real relationship.

For so much of my young life, I'd felt lonely, isolated, cut off from like-minded people. I yearned for human connections and relationships with the sort of people I knew only from books and movies, a lifeline into some other, richer world.