I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.

One of the things that is so striking to me about the South, especially living here now as an adult, is that I see a lot more mixed-race couples than I saw when I was growing up in the 1980s and the 1990s. I feel like living across the color lines has become something that's more expected.

The UnAmericans' is a compassionate and brilliantly rendered debut - and for a book set largely in the past, these stories feel essential to understanding the contemporary world in which we live.

I'm always thinking about time. That's one of themes I return to in my work, the way the past bears on the present, the way that time is not linear, and how that expresses itself in people's everyday lives.

Parents today are self-absorbed. They don't care what anyone thinks or even what their children think. There is less focus on discipline, integrity, boundaries, fairness, honesty and spirituality.

My grammar school caught on to the fact that the reason I was falling asleep in class was that I was doing working men's clubs till 10 or 11 at nights. My mother was told I shouldn't do it anymore. Of course, I was bringing in money to the family, so nobody liked hearing that.

Make space in your life for the things that matter, for family and friends, love and generosity, fun and joy. Without this, you will burn out in mid-career and wonder where your life went.

They were often the first students in their family to go to college and the very idea of higher education was still foreign to them. They had to make a conscious and often difficult decision to come to college.