I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.

One of the things that is so striking to me about the South, especially living here now as an adult, is that I see a lot more mixed-race couples than I saw when I was growing up in the 1980s and the 1990s. I feel like living across the color lines has become something that's more expected.

The UnAmericans' is a compassionate and brilliantly rendered debut - and for a book set largely in the past, these stories feel essential to understanding the contemporary world in which we live.

I'm always thinking about time. That's one of themes I return to in my work, the way the past bears on the present, the way that time is not linear, and how that expresses itself in people's everyday lives.

I have born-again Christians in my family, and they are completely against abortion... Everybody's got to stop being afraid of it real soon. Who's going to do it if a woman's network doesn't? People are going to be dying.

If Shaw and Einstein couldn't beat death, what chance have I got? Practically none.

We cannot banish dangers, but we can banish fears. We must not demean life by standing in awe of death.

People don't want to talk about death, just like they don't want to talk about computer security. Maybe I should have named my workstation Fear. People are so motivated by fear.