I went to Paris to learn and absorb some of the amazing ambience I was enamored with growing up in Kansas City. I didn't go there to start my own collection. But I never could get an internship, so finally, I was left with just doing my own show.

I really don't see little girls growing up and thinking, 'Oh, I'm going to morph myself so I look like Barbie.'

I have a nostalgia for the years I was growing up and experiencing new things for the first time - so the late '80s and early '90s are always fascinating to me. Those were the times that I was being informed about a lot of my tastes, and so the memories are fused with a lot of emotion.

Designers have a reputation for setting the tone for what people - and especially women - are supposed to wear. How long their skirts should be, things like that. I have a different philosophy: put something out there with humour; let people see that and come around to it on their own.

My group of friends, we sort of go at each other pretty hard sometimes. And it's half performance, half truth that you can say cutting things to your friends that might be a little true, but as long as you package it in a joke, it becomes a little more palatable.

I just want to be funny, I just want to do comedy.

For comedians, we're all kind of tweeting our thoughts instead of spending time developing them. You can gauge how good a joke might be by how many times it gets retweeted, but it takes discipline to go back through the tweets and then develop jokes from them.

As a director, you can't stop a guy if he thinks something's hysterical, because if you do, then he'll get depressed because he thinks he didn't come up with a good joke. So if a guy's going on some run and it's killing him, and he thinks it's hilarious, you gotta do enough so that he thinks you can use it in the movie.