I'd paint long strips of canvas and abandon them on the beach, or put bread out in geometric patterns for the pigeons downtown. I wanted people to find something nice and intriguing to puzzle over. Then I'd go back to see if the things were still there, or if anyone would notice.

One of the glories and terrors of working in public is that you do see if your output means anything to anyone.

I'm always trying to bring unusual content to a different audience - a non-art-world audience.

I wanted to support things that are helpful to people and maybe bash what I think is dangerous. So I switched from being everybody to being myself.