In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge. I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing.

I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.

Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.

The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?

They had taken me to an exhibit called 'Psychiatry: Industry of Death' on Hollywood Boulevard, where a Scientologist told me psychiatrists set up the Holocaust. I feared I was being brain-washed. And then I lost it - big time.

Tears are sometimes an inappropriate response to death. When a life has been lived completely honestly, completely successfully, or just completely, the correct response to death's perfect punctuation mark is a smile.

I love Batman to death.

Despise not death, but welcome it, for nature wills it like all else.