I write what I call precinct drama, and I tend to write things set in the workplace. Having an institution which gives a workplace its distinctive identity is really important to creating something which feels different.

In real constabularies, the relevant department that is the subject of 'Line of Duty' is called Professional Standards. However, 'Line of Duty' is set in a fictional anticorruption department, AC-12, in order to prevent any unintentional resemblance to actual units, cases, or individuals.

I come from gender-balanced workplaces. I started off working in medicine, and when I went through med school, it's 50/50 men and women. And when I started working as a doctor, it's 50/50 men and women. So I've always been very accustomed to women occupying pivotal roles in the professional environment.

Between the ages of 12 and 15, I wanted to be a pilot because I thought it would be glamorous and dangerous.

Ghulam Ali Khan saab is my greatest inspiration.

I grew up when I was 15 when I had my first opportunity in movies. I watched every great movie for a year and a half, and since then I've asked myself how I can emulate such artistry. That's really my motivation. I want to do something as good as my heroes have done.

My guiding principle and motivation was that I wanted to retire by the time I turned 35. There actually are two books that I bought and still have - Paul Terhost's 'Cashing In On the American Dream: How to Retire at 35' and Andrew Tobias's 'The Only Investment Guide You'll Ever Need' - that were my personal financial road map.

I knew I could sing. That one thing I did believe in was that I could sing, but then constantly getting rejected, it started to get me down. But my voice was always there and my dream and my ambition was always there when I went through bad times.