I will definitely drop bars, but that's, like, a few minutes of my show. I do a part of my set where I do that, and then I'll get back to the jokes. All the older people will look like, 'What the hell is happening?' The younger people are cheering, and the older people are like, 'I'm scared. I don't know what's going on.'

Either I'm in the studio creating something, or I'm on stage doing some stand-up somewhere... or I'm creating a parody video flexing my pecs.

Making people laugh is the greatest gift you can give, so I'm never going to stop that.

When I got to the stage, it was like a release, you know what I mean? Because it was like, 'Oh, people like me. People like me. They're listening to what I have to say. They're not judging me on how I look; they're judging me on what I'm saying.' So to me, that's what's worth it, and that's what comedians have.

I love how 'Misfits' is a drama-comedy.

Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.

The first time I met Jon Stewart was at the press conference that Comedy Central held to announce Jon would be the new host of 'The Daily Show,' which back then was not called 'The Daily Show with Jon Stewart.'

I admire my boss, Lorne Michaels. He never stops producing. I think, for him, comedy is a tool of compassion, a way of rallying people together and saying, 'Guys, isn't the world bonkers? Aren't we all just trying our best?' There's a tenderness in everything he does.