Most of the time I don't force records. I'm not one of these guys that put records out every nine, 10 months. I'm pretty long between records. I've only had a few in my career. I kind of wait until I feel I have really strong songs. I don't know if they're going to change the world or not, but I dig 'em, and if I dig 'em we make a record.

I honestly think that's one of the greatest motivators of art - the fear of not making great art.

If I'm going on any trip, driving music is key. Road Hammers is good driving music. I don't mind listening to my own stuff. You record it for a certain reason. You fall in a love with a certain song at a certain time and how you record it is a labour of love. You better love it.

Grade 9: I was too small for football, too shy for drama class, but I did have a passion for music. And so, with a mouth full of braces (and a glorious mullet), I accepted that the trombone would be a fantastic scholastic counterpart to my extracurricular loves: country music, and the guitar.

My priorities were taking the kids to school and being a mum and being a daughter and being a sister. Just spending a lot of that time with my family that I'd probably lost a lot of, touring with the Cranberries.

My brothers and I would try to talk our dad into letting us stay up and watch 'Star Trek.' I remember watching it and feeling that a family is not just by blood, a family is a shared experience and that really stuck with me.

Anyone who's a parent dreads that call in the middle of the night. I have four grown children and I still dread it.

It's a great club, Everton. You don't just go there to work; you have to be part of the family.