As a professional athlete, the small print says there could be a trade at some point in your career. Sometimes expected, sometimes not. You have to be able to handle that.

As a player, I could have the ball in my hands; I could kind of dictate what happens. I'm still learning, a young coach with young players. Sometimes I'm going to see things. They're not going to see what I see. So it's being able to translate that and help them see what I'm seeing.

I wasn't a guy who looked to score first. It was to get your teammates involved, to understand time and clock management and having fun with your teammates.

The ball touched the paint a lot of times. When we talk about touching the paint, the ball touches the key for making a layup or making a play for a teammate. We've got to use our length and our speed. Defensively, getting deflections. Give up one shot and rebound.

There are values on Broadway that are dangerous: it's got to be Best Musical, it's got to make money, it's got to run a certain amount of time. Nowhere in this, of course, is there any mention of quality.

The situation in disability sport is growing, and girls like Ellie Cole are doing wonders.

Political dictatorships take possession not just of money and belongings but of narrative.

I spent a long time working in restaurants and making no money. It was very character-building, but I think it could have been built in a shorter time.