Growing up in the '70s and '80s when my dad had an art gallery, one of the things that frustrated me was the world seemed so tiny, and to appreciate contemporary art, you needed a history of art, a formal education. I was more interested in the people, and that's why I went into the movie business in the first place.

I couldn't stand it. It was what I thought I always wanted. I was there every day in the trenches, and I hated everything about that job. But what I loved - and what I got from 'The Tooth Fairy' - was to see how studio movies were released.

I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.

One of the things is that you need to space out scary movies.

I got a job writing for a financial technology newsletter in Manhattan. I didn't even understand what I was writing about. The newsletter had, like, 2,000 subscribers, and it was $700 a year for a subscription.

Profit, wealth creation, competition - these are not dirty words but the lifeblood of a dynamic economy.

It is a sad day for football when a player about to enter his prime moves for financial reasons and nothing else.

God wants us to prosper financially, to have plenty of money, to fulfill the destiny He has laid out for us.