I feel I was born with the music coming to me, and that's not something to be wasted.

I've always been an avid reader. If I don't have a book in the car, I'll stop and pick one up just to have something to read. I don't even remember learning to read.

I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.

Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.

I was named after my Jewish grandfather who left Poland early in the 20th century. What I knew from an early age was that he had lived most of his life in England, his Jewish wife had died, and he married a non-Jewish woman who was my grandmother.

I think that, occasionally, fame and popularity can garner more attention for individuals or films. But as a person who believes in my craft, I like the romantic notion that skill and hard work is more important than notoriety.

I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living.

There is no better feeling in the universe, other than being married and having a family, than standing on stage behind a piano and having 5,000 people waving at you. You cannot bottle that.