I loved all that riot-grrl scene and Nation of Ulysses and Bikini Kill and Huggy Bear. I loved it. It was the moment sort of first growing up where bands had stopped looking like roadies.

When I was a kid growing up, I lived in a little rural village called Woolton Hill, and the nearest town was Newbury. No bands played anywhere near us, so as much as I wanted to be on the grid and in the loop, I never was.

I saw a picture of a girl using an eyelash curler when I was a kid, and I thought it was some sort of torture device, the eye guillotine.

The Tin Drum' is one of my favourite books of all time - I've probably got 12 or 15 copies with different covers, different translations - but it's also just about my favourite film.

It's easy to be selfish and focus on what you have to do and what you need to do to accomplish your goals and be like, 'I'll give back later,' but there's no better time than now.

As I started to consider a career in music, I hoped for success, truthfully. I didn't imagine anything that would amass the level of the first record, but I hoped that I would be able to sustain a career.

Sometimes, success in life is knowing one's limitations.

With success came an ever-growing burden of responsibility. I lived with a near-constant low-level anxiety that I would make a mistake that would not only threaten my career, but also my brothers' - not to mention the livelihoods of many people who work with us or for us.