I always try to better myself with every movie I make. I don't take anything sitting back, and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film, and I think I am growing with each movie.

I want to start off making the kinds of films that I loved growing up as a kid. Fun horror films that are scary but at the same time, after you finish the movie, it leaves you excited to see more.

Language-wise, my mom and dad's dialect, they're pretty obscure. It's Chinese, but not your traditional Chinese, like Cantonese or Mandarin. It wasn't something that I got to use very much growing up. We eventually just spoke English around the house.

When you conceive the scene, you go, 'That is scary, right?' When you shoot it, a lot of times you're not quite sure. Hopefully what you can shoot is what your conception is.

There is no level of professional rejection that can compare to almost dying.

We sometimes congratulate ourselves at the moment of waking from a troubled dream; it may be so the moment after death.

Against eternal injustice, man must assert justice, and to protest against the universe of grief, he must create happiness.

Somehow we got used to death, and then we dehumanised it. We account for conflicts in figures. Ebola is 13,500 infected, 5,000 people have died... People are losing their sense of empathy, their sense of wanting to do something.