Man was very fortunate to have invented the book. Without it, the past would completely vanish, and we would be left with nothing, we would be naked on earth.

People have reflected on the quality of time ever since they've been writing. I suppose I have thought about and written about the question of living in the present - but it only lasts for an instant, and then everything becomes the past. The future, you know nothing about, except for some anticipations you have.

The Paris Review' was always the pinnacle: it was the place to be published. You were thrilled if you were published in 'The Paris Review,' and George Plimpton himself was practically mythical. He was a legendary figure.

I'm a 'frotteur,' someone who likes to rub words in his hand, to turn them around and feel them, to wonder if that really is the best word possible. Does that word in this sentence have any electric potential? Does it do anything? Too much electricity will make your reader's hair frizzy. There's a question of pacing.

In music, you feel a connection to the voice and think about the person behind it. In art that's secondary.

Hope lies in dreams, in imagination, and in the courage of those who dare to make dreams into reality.

Creativity is making a good pass at the right time... but it can also come from deeper, there should always be a balance.

There was a period when STP and I weren't making music - we weren't getting along very good at all. But I had my studio, so I was writing and recording a lot of music. But something told me not to put it out. It was all stream of consciousness; it was clever, but it didn't really have substance.