I like female directors that gravitate toward masculine things. I think the danger of a male director is the over-fetishization of the masculinity.

The characters I play always seem eerily appropriate to where I am in my personal life at the time, and if they're not, there always tends to be this notion that I should be learning something to apply to my own life from these people.

I'm friends with a lot of Brits, and they tell me when they're over here what a huge phenomenon 'The Wire' has become. Some things just attain critical mass after they're already dead and buried, and I don't know why it was the case with 'The Wire'.

There is no external means, whether it's my career, or money or house or a wife or anything, that is going to set me right.

When I entered the industry, I wanted to work with good directors like Mani Ratnam and Gautam Menon; that's why I did Tamil films. I realised later that I was not adding anything to the Tamil scripts and that it was a waste of time for me.

The innovation of our workplace is key to the development of innovative solutions that address the evolving complex challenges of our clients.

I have been fortunate to be able to have a career playing comedy and drama. And it's awfully hard - it's like apples and pears to compare the two.

I don't really have a career plan. There's no joy for me to just be a personality in my work, and I feel that that's so much of what's out there.