As a professional, I cannot afford to be complacent.

Whether the work that I do shall succeed or achieve critical acclaim is for the audience to decide.

I should only look back at moments that were disparaging, look down upon, negative for me - moments where I could learn something. And if I have been able to use that learning in future, then I am happy about it.

If you represent a fantasy for the people who actually go to the cinema, they grab that and go with it; therefore, for the rest of their lives, they actually identify you with a certain thinking - a certain philosophy. There are many actors who want to pursue that same thought in real life as well, and that's perfectly acceptable.

The paradigm of competition is a race: by rewarding the winner, we encourage everyone to run faster. When capitalism really works this way, it does a good job; but its defenders are wrong in assuming it always works this way.

You have to win games by scoring points, of course, so that's important. But when you're having nights against a good defensive team, you have to win in a different manner. You have to win a defensive-type game.

Glute bridges make sure my hips are staying in line. Making sure that I'm not putting added stress on the hamstrings, hip flexors, or groin. Being able to stabilize the hips is pretty much the center of playing football, so you can stay healthy.

I believe that I will represent this sport in the best light possible. I won't mess it up. I won't get myself in any trouble.