I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.

What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.

All the times I've been lucky enough to be a part of a show that's actually gotten on the air, it's always that same mixture of excitement and utter fear.

I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.

It's amazing how many companies aren't really in tune to the needs of different travelers. There's just so many embarrassing situations that you go through when you travel. You have to have a sense of humor about it and take it in stride. My whole approach is to embrace spontaneity.

People wouldn't hire me for comedies. They would say, 'Oh, he doesn't do comedy,' and now it's really all I do.

I have done many comedy films. Success of films like 'Partner,' 'Singh is Kinng' gets you to a very wide audience reach. But for greater gains, you need to take greater gambles. If it works, you get respect and recognition.

I was in musical comedy. And I did very well, but the memorization killed me. I'm not good at memorizing, and it gave me a lot of anxiety. I hated the makeup. I hated all that pancake makeup. I didn't really like dressing for parts.