I like devilish, thorny, dirty, mean roles, muck and mire, unbelievably sad, unbelievably happy, burdened. Inner conflict - that's where drama is.

Before college, I acted in my room, to classical music, because music tells stories. I'd put on a record and proceed, silently. I'd keep putting the needle back to a certain segment because I hadn't died well enough. I had to really, really feel dead. I'd love to do a death scene.

I prefer theater, but I love to do films, and I prefer theater primarily because I've done more. I know less about movies. You can't lie in either medium. The wonderful thing is that the camera, just like an audience, is made out of skin - because celluloid is skin.

Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.

How often do we make films just celebrating people that do a good job, work altruistically, and are in it just for the sake of the love and not the business?

Plus, I've always felt that, if the worst came to the worst in my career, I could always fall back to doing voices on the radio.

Don't make government work like a business... it's inherently inefficient.

Fortunately, right now 'entrepreneurship' is one of the business world's biggest buzz words and so many young people in our country are looking up to this new generation of CEO's as their modern day rock stars. Whenever you have that effect, it makes the job of promoting entrepreneurship much easier.