I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.

I think it's safe to say that 'manliness' was a common theme in my upbringing. It was an assumed status, but - and here's the important bit - it was the Rudyard Kipling kind. The emphasis was on gentlemanly conduct, sportsmanship, fairness and stoicism.

People with a lot of money aren't in the business of throwing it away, and those paying footballers' wages, organising parking spaces for dead sharks, and even, dare I say it, buying iPads, are doing it because, for them, it's worth the money.

It's bad enough being conned into singing an anti-war message by John Lennon when you think you're just wishing everyone a merry Christmas.

I'm not a big believer in the idea of genre - I'm a fan of any writer who can pull me into compelling characters and stories - but I can't imagine I'll start writing domestic dramas any time soon.

We didn't have all the distractions that young people have today. We didn't have these incredible computer games and social networks to engage with. I understand that. But once young readers do discover reading, when they discover a book which they fall in love with, it really unleashes something new in their imagination.

I think I'm most proud of my family right now. I'm more into that then I've ever been. It also gives a new area to draw from in creativity with my songs.

When I started writing, I was a great rationalist and believed I was absolutely in control. But the older one gets, the more confused, and for an artist I think that is quite a good thing: you allow in more of your instinctual self; your dreams, fantasies and memories. It's richer, in a way.