Every time I criticize the anti-Zionists, they say, 'You are trying to silence us.' I don't deny there are some people who are critical of Israel who are not anti-Semitic. But to criticize Israel, and then criticize Zionism, is not quite the same thing.

Shake any institution of higher learning, and a dozen boycotters will fall out of it.

To be clear, I abhor the separation wall. It is an eyesore in itself and makes tangible the failed diplomacy and cruel short-sightedness that causes such misery in the region. No Palestinian can see that wall and not wonder if the Israelis mean it to stay there forever, a constant reminder of what they never intend to change.

I once gave a character in a novel my inability to get past the same point in any work of philosophy: that moment when seeing is suddenly occluded and you know you can go no further.

Hip-hop is more about attaining wealth. People respect success. They respect big. They don't even have to like your music. If you're big enough, people are drawn to you.

The old process of social assimilation used to be mainly about English new money - generated in London, the mucky, brassy North or the colonies - buying those houses and restoring them, and doing the three-generation thing, mouldering into the landscape, and the 'community,' identifying with the place in a familiar way.

I think the bigger the movie is, the harder it is to maintain the idea of an auteur. You're servicing something beyond just your own vision. Whenever there's a lot of money on the line, it is your responsibility to make sure that you're doing your best to have people not lose their money and to actually win by betting on it.

One of the things we have to understand is that federal transportation dollars require a local match. If that money isn't there, that money goes to another state.