I have a lot of interests. I daydreamed about various career options growing up; the one I'm in is the first one that worked out, and I love it, so I feel very lucky.

Growing up as a classical musician, you're taught a lot about outreach and about how people aren't being taught music in school. But you don't have to study music to like it. And a lot of the music that people like - be it jazz or rock or opera - is stuff they haven't studied.

That word 'prodigy' has such a derogatory implication. It is used to describe people who are forced to play a lot of concerts very early, people whose audience comes because of their youth, people who are exploited. None of the above really applied to me.

I think the things that I learned that stick with me are things you often repeat, even today, which is never stop learning.

It's what's missing, I think, from most music - the rebellious part. That rebelliousness is part of great rock music or great literature or any great creative stuff.

I'm terrified of therapy because I don't want it to mess with my creativity.

When I say art influences me, which it does, it's not at all in a literal form. You go and see exhibitions or collections or meet an artist. It's all a compilation. Every moment, at all times, all this information. Then all this information disappears, and it shows up later in the process.

I'm worried about being pigeonholed as an artist, especially a female one, but I think, essentially, it's the music which people judge you by.