Usually with something like 'The 100,' because you're working so much and every day, and they'll change the drafts quite quickly, we'll go through maybe, like, 12 different versions of the same scene over a week. So there is no point in learning it on a Tuesday when on a Thursday it might be completely different.

My whole philosophy has been to let the work speak for itself, because that's really what you want to show.

When you're placed in a world where survival is the main focus, a lot of that other stuff, like wrongdoings in the past, become obsolete. You have to focus on the here and now.

The moment the world falls apart, you start forgetting history and wrongdoings in the past.